An activist group has claimed to have scraped millions of songs from the popular streaming service and is getting ready to publish them publicly.
Possible Boost for Artificial Intelligence Training
Industry experts said the apparent leak could boost AI companies searching for material to develop their technology.
A group called Anna’s Archive reported it had obtained 86 million music files from Spotify and 256 million rows of associated data such as performer and record names. The company, which hosts more than 100 million tracks, stated that the breach did not represent its entire inventory.
“We have located and disabled the nefarious user accounts that were involved in illegal scraping,” stated a company spokesperson.
The Swedish company, which has more than 700 million users worldwide, further explained that an inquiry into unauthorized access found a external actor scraped public metadata and employed illicit methods to circumvent DRM [digital rights management].
Archive's Stated Mission and Concerns
Spotify does not believe the audio acquired by Anna’s Archive has been made public yet. Anna’s Archive, which is recognized for providing links to copyright-infringing books, wrote in a blog it wanted to create a ‘preservation archive’ for music.
They claimed the audio files represented 99.6% of all music streamed to by its listeners and would be shared via ‘torrents’, a means of sharing large data files online.
“Of course the service doesn’t have all the music in the world, but it’s a great start,” said Anna’s Archive, which describes its purpose as “preserving humanity’s knowledge and heritage”.
AI Training and Copyright Debate
Ed Newton-Rex for protecting artists’ rights, said the leaked music would probably be used for training artificial intelligence systems.
“Educating models on illegally sourced material is sadly common in the AI industry, so this stolen music is highly likely to end up instructing AI models,” he said.
The group's website makes references to LibGen, a huge online archive of copyrighted books that has allegedly been used by the parent company of Facebook to develop its systems.
A founder of an artificial intelligence company wrote on LinkedIn that individuals of the public could in theory “create their own private free version of the service”. The executive added it could also allow tech companies to “train on contemporary music at scale”.
Copyright has become a battleground between artists, authors and creatives on one side and AI companies on the other.
Government Considerations and Reactions
In the UK, creative professionals have raised concerns against a ministerial suggestion to allow AI companies utilize copyright-protected work without consent unless the rights holder signals. Almost every respondent to a government consultation on the idea has backed artists’ concerns.
The secretary of state for technology, research and technology informed parliament this month there was “little consensus” on the matter, noting that ministers would “use the time to get this correct”. The government has pledged to make policy proposals on AI and copyright by March 2025.